Ruhrmusik zu Episode 07 / Pristine - "Tarantino"
- Serie: Ruhr Music
Begleitend zur Episodenreihe „Das Ruhrgebiet - aufgenommen und abgemischt“ gibt es hier unter dem Titel „Ruhrmusik“ zu jeder Episode ein Musikstück komplett. Die aktuelle Episode trägt bereits die Nummer 7 und handelt von Punkrock im Ruhrgebiet.
Das Script zum nächsten Tarantino Film, der im Ruhrgebiet spielen wird.
Auszüge:
Siedlung Margarethenhöhe, Essen
We hear the rhythm of funky seventies KRAUTROCKMUSIC.
Then SHE steps into FRAME.
She is HELENE GRABOWSKI, a media artist dressed in her artist uniform, proudly wearing an asymmetrical haircut.
Helene suddenly stands still as a lawn mower slowly approaches her.
Helene is a very attractive, smart, white woman in her mid-twenties, though she looks like she's in her mid-thirties.
STEADICAM as she jumbs over the wall onto her sedgway and drives down the road towards Zollverein.
HELENE: (into her I-Phone)
„Dieter, stop all action.
I got a new idea for that media installation!“
With a smile on her face, she gets into gear.
FADE TO BLACK
FADE UP ON:
The brand-new coffee-shop in just-finished, hammerform Evonik-Küppersmühle.
It's about 11:00a.m. While the place isn't jammed, there's a healthy number of people drinking coffee, munching on bacon and eating Pumpernickel.
Two of these people are a YOUNG MAN and a YOUNG WOMAN.
The Young Man has a slight working-class Ruhrpott accent and smokes cigarettes like they're going out of style.
It is impossible to tell where the Young Woman is from or how old she is; everything she does contradicts something she did. The boy and girl sit in a booth. Their dialogue is to be said in a rapid pace "Nordstadt" fashion.
YOUNG MAN
No, forget it, it's too risky. I'm through doin' that shit.
YOUNG WOMAN
You always say that, the same thing every time: never again, I'm through, too dangerous.
YOUNG MAN
I know that's what I always say. I'm always right too, but –
YOUNG WOMAN
– but you forget about it in a day or two -
YOUNG MAN
– yeah, well, the days of me forgittin' are over, and the days of me rememberin' have just begun.
YOUNG WOMAN
When you go on like this, you know what you sound like?
YOUNG MAN
I sound like a sensible fucking man, is what I sound like.
YOUNG WOMAN
You sound like a duck! (imitates a duck) Quack, quack, quack, quack, quack, quack, quack...
YOUNG MAN (laughs)
Well I thought a wee bit about something new, honeybunny.
Let me get you the point:
A lot of people go to restaurants.
YOUNG WOMAN
A lot of wallets?
YOUNG MAN
Pretty smart, huh?
The Young Woman scans the restaurant with this new information.
She sees all the Kulturdezernenten eating, lost in conversations. The tired WAITRESS, taking orders. Some HUMAN RESOURCE MANAGERS going through their CALL CENTER CONCEPTS.
The COFFEE SHOP MANAGER complaining to the COOK about something.
A smile breaks out on the Young Woman's face.
YOUNG WOMAN
Pretty smart.
(into it) I'm ready, let's go, right here, right now.
YOUNG MAN
Remember, same as before, you're crowd control, I handle the employees.
YOUNG WOMAN
Got it.
They both take out their .32-caliber pistols and lay them on the table. He looks at her and she back at him.
YOUNG WOMAN
I love you, SPACKO.
YOUNG MAN
I love you, Honey Bunny.
And with that, SPACKO and HONEY BUNNY grab their weapons, stand up and rob the restaurant. SPACKO's robbery persona is that of the in-control professional. Honey Bunny's is that of the psychopathic, hair-triggered, loose cannon.
SPACKO (yelling to all)
Everybody be cool this is a robbery!
HONEY BUNNY
Any of you fuckin' pricks move and
I'll execute every motherfucking last one of you! Got that?
„Wir tanzen auf dem Seil,
Irgendwo zwischen Abgrund und dem Weltall.
Wir reißen Possen
und Ihr klatscht Beifall
zum Untergehn.
Wenn wir erst reinfalln,
dann wird’s schon gehn!“
Live aufgenommen im Proberaumbunker in der Dortmunder Nordstadt.
Besonderer Dank an Thomas Sorig für die Tonmischung.
Text: Jörg Stiepermann.
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Das Script zum nächsten Tarantino Film, der im Ruhrgebiet spielen wird.
Auszüge:
OPENING CREDITS
Siedlung Margarethenhöhe, EssenWe hear the rhythm of funky seventies KRAUTROCKMUSIC.
Then SHE steps into FRAME.
She is HELENE GRABOWSKI, a media artist dressed in her artist uniform, proudly wearing an asymmetrical haircut.
Helene suddenly stands still as a lawn mower slowly approaches her.
Helene is a very attractive, smart, white woman in her mid-twenties, though she looks like she's in her mid-thirties.
STEADICAM as she jumbs over the wall onto her sedgway and drives down the road towards Zollverein.
HELENE: (into her I-Phone)
„Dieter, stop all action.
I got a new idea for that media installation!“
With a smile on her face, she gets into gear.
FADE TO BLACK
FADE UP ON:
COFFEE SHOP, Duisburg
It's about 11:00a.m. While the place isn't jammed, there's a healthy number of people drinking coffee, munching on bacon and eating Pumpernickel.
Two of these people are a YOUNG MAN and a YOUNG WOMAN.
The Young Man has a slight working-class Ruhrpott accent and smokes cigarettes like they're going out of style.
It is impossible to tell where the Young Woman is from or how old she is; everything she does contradicts something she did. The boy and girl sit in a booth. Their dialogue is to be said in a rapid pace "Nordstadt" fashion.
YOUNG MAN
No, forget it, it's too risky. I'm through doin' that shit.
YOUNG WOMAN
You always say that, the same thing every time: never again, I'm through, too dangerous.
YOUNG MAN
I know that's what I always say. I'm always right too, but –
YOUNG WOMAN
– but you forget about it in a day or two -
YOUNG MAN
– yeah, well, the days of me forgittin' are over, and the days of me rememberin' have just begun.
YOUNG WOMAN
When you go on like this, you know what you sound like?
YOUNG MAN
I sound like a sensible fucking man, is what I sound like.
YOUNG WOMAN
You sound like a duck! (imitates a duck) Quack, quack, quack, quack, quack, quack, quack...
YOUNG MAN (laughs)
Well I thought a wee bit about something new, honeybunny.
Let me get you the point:
A lot of people go to restaurants.
YOUNG WOMAN
A lot of wallets?
YOUNG MAN
Pretty smart, huh?
The Young Woman scans the restaurant with this new information.
She sees all the Kulturdezernenten eating, lost in conversations. The tired WAITRESS, taking orders. Some HUMAN RESOURCE MANAGERS going through their CALL CENTER CONCEPTS.
The COFFEE SHOP MANAGER complaining to the COOK about something.
A smile breaks out on the Young Woman's face.
YOUNG WOMAN
Pretty smart.
(into it) I'm ready, let's go, right here, right now.
YOUNG MAN
Remember, same as before, you're crowd control, I handle the employees.
YOUNG WOMAN
Got it.
They both take out their .32-caliber pistols and lay them on the table. He looks at her and she back at him.
YOUNG WOMAN
I love you, SPACKO.
YOUNG MAN
I love you, Honey Bunny.
And with that, SPACKO and HONEY BUNNY grab their weapons, stand up and rob the restaurant. SPACKO's robbery persona is that of the in-control professional. Honey Bunny's is that of the psychopathic, hair-triggered, loose cannon.
SPACKO (yelling to all)
Everybody be cool this is a robbery!
HONEY BUNNY
Any of you fuckin' pricks move and
I'll execute every motherfucking last one of you! Got that?
Ruhrmusik 07 // "Tarantino" - Pristine
„Wir tanzen auf dem Seil,Irgendwo zwischen Abgrund und dem Weltall.
Wir reißen Possen
und Ihr klatscht Beifall
zum Untergehn.
Wenn wir erst reinfalln,
dann wird’s schon gehn!“
Live aufgenommen im Proberaumbunker in der Dortmunder Nordstadt.
Besonderer Dank an Thomas Sorig für die Tonmischung.
Text: Jörg Stiepermann
Weitere Beiträge von Das Ruhrgebiet - aufgenommen und abgemischt:
Video
- Ruhrmusik 06 / Too Strong - "Stahlbeton" (live in Dortmund)
- Ruhrmusik zu Episode 05 / Jan Klare & The Dorf - Technoid
- Ruhrmusik zu Episode 04 / Karsten Riedel - An die Dichter
- Ruhrmusik zu Episode 03 / Japanische Kampfhörspiele - Verpackt In Plastik (Live)
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Mi, 15.12.2010
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